BUYING GUIDE

ANSWERING THE BURNING QUESTIONS

This buying guide answers the questions we’re asked every day in our Glasgow and Aberdeen showrooms — including the awkward ones. It’s focused on real-world systems, real rooms and real expectations, with straightforward advice that doesn’t dodge the trade-offs.

STARTING YOUR HI-FI JOURNEY?

Let's get the basics right before we look at your options.

Looking for a deeper, step-by-step explanation of how to choose the right system for your room and budget?

Read our complete Hi-Fi & Home Cinema system guide

A Hi-Fi system is built to reproduce music clearly and effortlessly, rather than just making sound louder. Compared to TV or Bluetooth speakers, it uses dedicated amplification and properly sized speakers, which allows music to sound more balanced, detailed and natural. When listening to Hi-Fi for the first time, you're guranteed to hear lots of little nuances and details in your music that you'd never heard before!

Check out our article here to understand why the difference is there - and why it really matters.

Fundamentally speaking - a standard hi-fi setup consists of:

  • A source - this is where your music originates. Common options are a turntable, a CD player, a network streamer, a radio/tuner or a tape deck.
  • An amplifier - Boosts the audio signal to usable levels for your speakers while maintaining maximum accuracy, clarity and fidelity.
  • A pair of speakers - Play back the amplified signal and reproduce the audio as accurately and transparently as possible.

It's also important to make sure you have all the right cabling for your system in order for the three core components work together. Good quality Hi-Fi absolutely warrants the inclusion of good quality cabling in order to preserve the signal integrity across all of the system components. Please do get in touch if you'd like to check what you need!

Absolutely! The vast majority of our customers have more than one source in their system. The main thing you need to check is that your amplifier can house more than one source.

Don't hesitate to get in touch if you'd like us to check source-amplifier compatibility for you.

Music sources differ in several ways - practicality, sound, and how you interact with them.

Streaming is the most convenient, offering instant access to vast libraries and easy integration with modern systems. When set up well it can sound excellent, though the experience is more hands-off and less tactile.

Vinyl is less practical but more involving. It takes more space and care, but many people enjoy the ritual and the focus it brings. Sound quality can be very rewarding and lush, though it’s more sensitive to setup and record condition.

CDs and digital files sit somewhere in between — consistent, predictable in sound quality, and easier to manage than vinyl.

Some systems may also include a radio tuner or tape deck. These are less common today, but still valued by some listeners for live broadcasts, nostalgia, or existing music collections.

Check out our article here for a more in-depth breakdown of the three most popular music sources.

A streamer is a common source used in many hi-fi setups.

If you utilise any music streaming platforms such as Spotify, Amazon Music, Tidal, Qobuz, Roon or Apple Music - then a streamer may very well be a valued asset in your system.

Streamers can wirelessly recieve digital information from a streaming platform on (typically) your phone, and feeds it through your hi-fi system. Perfect for anyone who has a well-seasoned Spotify library and wants to hear their playlists like never before!

We always like to start back the way - so instead ask yourself, what speakers should I choose?

If you have a small room, then generally speaking, bookshelf or standmount speakers will be the best choice.

If your room is medium or large, this is where floorstanding speakers will really shine.

All you have to do is select an amplifier that can:

a) Provide your speakers with sufficient power to drive them efficiently

b) Have the correct tonal balance and performance

c) Be compatible with your desired source component(s)

This is where our expert advice comes in. Let us know everything about your music tastes and listening habits: what speakers you like the look of, what your room is like, and what sources you want to be able to use. We can then narrow down the choices to find the perfect amplifier for you.

Have a nosey at our article here to find out more.

A pre-amp controls volume and switches between your music sources before the signal is amplified. Many Hi-Fi systems already have one built in, in the integrated amplifier, so in most cases you don’t need a separate pre-amp when starting out.

One common exception is a phono pre-amp, which is needed for turntables. Some amplifiers include this, but if yours doesn’t, a small external phono pre-amp boosts the turntable’s signal to a usable level. Beyond that, separate pre-amps are usually only needed in more complex or modular systems.

You can filter out a lot of speaker options by determining what will suit your listening room.

If you have a smaller room, then generally bookshelf or standmount speakers will be the best choice. Small rooms are by no means an immediate disadvantage for hi-fi - some of the best sounding systems we'eve ever heard have been in small rooms! So, it's important to not just leap to the biggest speakers and assume you will get the best sound in your space.

Larger rooms typically benefit greatly from floorstanding speakers. Floorstanding speakers range from being slim and compact to large and extravagant - so there's something for everyone!

What you should also consider is speaker materials - different speakers possess their own musical signatures and can present your music in various ways. Some of our customers love a very analytical, detail-rich sound, while some prefer to get lost in a softer, more laid back presentation.

Get in touch with our experts for some advice on what options would suit you and your listening preferences. Alternatively, check out our article covering this common question.

We would always recommend opting for speaker stands if you can house them in your space. They make a bigger difference to your overall sound quality than you may think!

However, some of our customers have their speakers on lowboards, TV units and bookshelves. It often becomes a question of aesthetic over sound quality - it just depends on your space and how you'd like to use it.

Of course you can! All you need to check is that your amplifier has the right input to receive audio from your TV.

This is generally a HDMI or Optical input, however if you'd like to be 100% sure, get in touch with us and we are happy to check for you!

You certainly can - having your music playing simultaneously across multiple systems in your home is also known as multi-room audio, and is a very popular choice amongst our customers today.

There are various ways to achieve this - the most popular being through the Sonos interface. There are, however, alternatives that may suit your sources and current devices better. Please do get in touch and we can help you pick the right platform to kickstart your multi-room system.

See our Beginner's guide to Multi-Room Audio here.

You can get very good results with minimal cabling, but there are a few trade-offs to be aware of. Modern wireless and active speaker systems can sound excellent and are far better than most TV or Bluetooth speakers, especially when they’re designed as a complete system rather than separate add-ons.

That said, completely cable-free Hi-Fi doesn’t really exist. Even wireless systems still need power cables, and fully wireless speakers can place limits on flexibility, upgrade options and, in some cases, ultimate sound quality. A small amount of cabling often allows better speaker placement and more choice later on.

For many people, the best balance is a clean, minimal-cable system rather than a totally cable-free one. Done well, this can sound genuinely impressive while still fitting neatly into a modern living space.

So, basically, if you can have them, we'd always recommend having wired components in your system for improved fidelity.

Room treatment becomes an important element to consider if your room is particularly problematic. In this case, a problematic room would consist of many hard surfaces (wooden/marble flooring), lots of glass windows or a very high ceiling. It can be tricky to get loudspeakers sounding good in rooms with these qualities.

Opting for acoustic panelling, or even simply introducing softer surfaces in your room can make a huge difference and allow your system to perform optimally.

To find out more, check out our article on the basics of Room Treatment here.

Because better systems are more revealing. As a system improves, it does less to hide flaws in the recording, mix or mastering. Compression, distortion, poor balance or aggressive processing that might be glossed over on simpler speakers can become much more obvious.

This doesn’t mean the system is doing something wrong — it’s actually being more accurate. A modest system can act like a soft filter, smoothing over rough edges. A higher-quality system removes that filter, which is why well-recorded music often sounds fantastic, while poorly recorded music can sound flat, harsh or tiring.

It’s also why many people notice that better systems don’t always sound “impressive” straight away. Instead, they sound more honest. Over time, most listeners come to appreciate this because good recordings become deeply engaging, and it becomes easier to understand why some music was never meant to sound great in the first place.

The QUESTIONS THAT OTHER RETAILERS AVOID...

Most of the time, we’re not talking people out of spending money — we’re talking them out of unnecessary complexity or compromises that don’t actually improve the experience.

Over-complicating systems is a common one. More boxes, more settings and more features don’t automatically mean better sound. In fact, simpler systems that are well-matched and easy to live with usually sound better and get used more often.

Where possible, we also encourage people to be cautious with wireless Hi-Fi solutions. While they can be convenient and sound very good, they often limit flexibility, longevity and upgrade paths compared to wired alternatives. A small amount of cabling can make a big difference long-term.

Another frequent conversation is around mixing very old equipment with modern kit. Sometimes it works well, but in other cases outdated components can hold a system back or introduce reliability issues. We try to be honest about when something is worth keeping — and when it’s better remembered fondly.

We also often steer people towards internet radio rather than traditional radio tuners. Internet radio offers far greater choice, better reliability and easier integration into modern systems, while traditional tuners tend to only make sense for some specific use cases.

Finally, we regularly advise against all-in-one turntable systems with built-in speakers. While they look appealing and promise simplicity, they tend to compromise heavily on sound quality and can limit future improvements. Vinyl records ain't cheap - and these all-in-one turntables are almost guaranteed to destroy them with their low-quality engineering.

Ultimately, our aim is to help people build systems that are enjoyable, practical and lasting, rather than impressive on paper but frustrating to live with.

In many cases, yes — more than the equipment is. The room has a bigger influence on how a system sounds than most people expect. Reflections, room size, layout and speaker placement can all shape the sound far more than swapping one component for another.

That doesn’t mean your room needs to be perfect, or that you should turn it into a studio. Most real homes are compromises, and good systems can still sound excellent in them. But it does mean there’s a point where changing equipment won’t fix issues that are really caused by the space.

The good news is that small changes — positioning, furniture, soft furnishings and sensible system matching — often make a bigger difference than upgrading boxes. In other words, if something doesn’t sound quite right, the room is usually the first place worth looking, not the last.

To learn more about how you can tastefully and effectively treat your listening room, have a look at our article here.

You’re often paying for both. Brand recognition, marketing and visibility do add to the cost of some products, just as they do in any industry. That doesn’t automatically make those products bad, but it’s not the whole story either.

Our approach is simple: we only choose products we genuinely like the sound of, trust to be reliable, and believe are built by companies doing things properly. Some of those brands are well-known household names with long track records. Others are smaller or less familiar, but offer exceptional performance and build quality for the money because they’re putting more into the product and less into marketing.

In practice, the best value often sits somewhere between the two. A familiar brand can offer reassurance and consistency, while a lesser-known one can deliver remarkable quality if it’s well engineered and well supported. What matters most to us isn’t the logo on the front — it’s how the product performs in real systems, how long it lasts, and whether we’d be happy recommending it for our own homes.

Yes — at a certain level, hearing does become the limiting factor, not the equipment. As we age, it’s completely normal to lose sensitivity, particularly at higher frequencies. That means very small changes, fine detail and subtle tonal differences can become harder to detect over time.

What’s important to understand is that this doesn’t make good Hi-Fi pointless — it just changes where improvements matter. Chasing tiny differences at the extremes becomes less meaningful, while things like balance, clarity, timing and how relaxed a system sounds remain obvious and important for most people well into later life.

The mistake is assuming that hearing “less” means enjoying music less. In reality, many people enjoy music more once they stop chasing marginal gains and focus on systems that sound natural, comfortable and involving. Hi-Fi shouldn’t be a hearing test — it should work with the ears you have.

This is an entirely subjective topic - everyone's ears are different. We don't like to force opinions on our customers - if you hear the difference then great! If you don't, also great!
What matters most is understanding what changes genuinely improve your enjoyment, rather than what you’re told should improve your enjoyment.

The best way to answer this question for yourself is to book a demo at either of our Glasgow and Aberdeen showrooms. We are happy to let you have a listen to anything we've got on demo.

It depends far more on the system than the format itself. On higher-quality Hi-Fi systems, yes — hi-res sources can sound noticeably better. These systems are more revealing, so limitations in file format compression tend to be obvious, especially in clarity, texture and overall ease.

On more modest or entry-level systems, the difference is often much smaller or even negligible. Those systems are generally more forgiving, and Lower-Res can sound perfectly enjoyable because the system itself isn’t resolving enough detail to expose the compromises.

In short: hi-res really matters when the rest of the system is good enough to show it.

It depends on the scale of the system and your confidence setting it up. Smaller, simpler systems can often be installed perfectly well at home, especially if you’re comfortable with basic setup and positioning.

Where professional installation becomes incredibly valuable is with more complex systems or less forgiving rooms. What we add isn’t just time — it’s experience. That includes correct speaker placement, sensible cable routing, making sure components are properly matched and configured, and getting the system working as it should in the space it actually lives in.

Just as importantly, installation offers reassurance. Knowing the system is set up correctly removes a lot of doubt and second-guessing, and helps you enjoy it rather than wonder whether something could sound better. In many cases, a modest priced but well-installed system will outperform a more expensive system that’s poorly set up.

A sensible guideline is to spend around 15% of the total system value on cabling. That’s usually enough to avoid the cables becoming a bottleneck, without taking budget away from the components that make the biggest difference.

At entry level, less is often more — around 10% is typically plenty. As systems improve and become more revealing, spending closer to 15–20% can make sense because differences are easier to hear. Beyond that, improvements tend to become more subtle and proportion matters more than price.

The key is balance. Cables should feel appropriate to the system they’re supporting, not like they’re competing with it. Correct type, sensible lengths and solid terminations will always matter more than chasing extremes.

A sensible starting point for a proper Hi-Fi system is usually £1,000–£2,000. At this level, you’re paying for genuine improvements in sound quality rather than just features, and the system should feel like a clear step up from TV or Bluetooth speakers.

Below this, results can still be enjoyable, but compromises become more obvious — often in speaker quality, amplification headroom, or long-term satisfaction. Above this level, improvements are real but more incremental, and how the system is set up and matched becomes more important than simply spending more.

The most important thing is not the number itself, but how the budget is balanced between speakers, amplification and sources, and how well the system suits the room. A well-chosen system at a modest budget will almost always outperform a poorly matched, more expensive one.

They can be informative, but they are not independent in the way many people assume. Most Hi-Fi magazines and awards organisations operate within a paid commercial ecosystem where advertising, product promotion and editorial coverage are closely linked. That doesn’t mean every review is dishonest, but it does mean they are rarely free from influence.

In practice, reviews are often based on short-term listening in ideal conditions, and awards tend to favour products from brands that are active, visible and commercially engaged within that space. Truly negative reviews are uncommon, and it’s not unusual for many products to receive some form of recommendation or award — which should prompt healthy scepticism.

The safest way to use reviews is as a rough filter, not a buying decision. They can highlight what a product is intended to do, but they can’t tell you how it will sound in your room, with your music, at the volumes you actually listen to. That’s why listening, system matching and real-world experience matter far more than badges or star ratings.

Ready to go a bit deeper?

If you’re starting to think about room size, speaker choice, wired vs wireless systems, or how to balance performance with simplicity, our full guide walks through those decisions step by step.


Read the complete Hi-Fi & Home Cinema system guide